Michael Bennett’s second act after football is well designed

Michael Bennett’s second act after football is well designed

Michael Bennett, NFL, design

Unlike his football peers like Richard Sherman or Michael Strahan, former Seattle Seahawks defensive lineman Michael Bennett chose a distinct path. Instead of analyzing NFL plays, Bennett focuses on the task of incorporating social justice into his post-NFL career. This journey includes various endeavors, such as writing the 2018 book “Things That Make White People Uncomfortable” for Haymarket Books and creating designs for public exhibitions.

according to com. busterIn September, Bennett created designs that were showcased during the Arctober design celebration in New York City, which took place from October 12 to 18. Archtober has been described as “New York’s premier public design exhibition” by NYCxDesign.

During his time at Heritage School of Interior Design, he established a scholarship for black designers. In a conversation with Stephanie Thornton Plymale for HSID, Bennett discussed his ambitions, saying: “I want to open a multi-disciplinary studio that includes furniture design, architectural planning, as well as community planning. I want to work in a central place with many other individuals where we can all work together. I feel that There are a lot of systemic injustices in design, and we can work to dismantle them. Unless we have designers and people who can understand that there are problems that need to be solved, there will be no solution to them.

Bennett achieved this goal, according to Fast company, the multi-hyphenate firm plans to open a design practice, Studio Kër, in November. Bennett tells the outlet that Kerr’s studio takes its name from its Senegalese origin meaning “home.” Bennett, who is the creative director at Studio Care, draws inspiration from figures such as Angela Davis, the prison abolitionist who was associated with the Black Panthers in the 1960s, and Booker T. Washington, known for his practical philosophy of self-determination. Convinced that displays of hard work demonstrated the inherent humanity of black individuals to their white counterparts, he found himself engaged in an ideological dispute with W. E. B. Du Bois during the late nineteenth and early twentieth centuries.

Bennett said Fast company It is his design ethos that runs beyond the labels.

“I consider myself a spatial designer or spatial practitioner,” Bennett said. “I just love space, so wherever media needs to express a certain emotion or talk about a certain idea, I want to delve into it. I don’t want to put a title on it.”

Bennett’s design was featured in the recent exhibition titled General screen, Made from laminated wood, two panels of the material frame a display of slices of life or pieces of the sky, flanked by benches and benches, giving viewers the opportunity to contemplate city life in a community space. Bennett says it was the COVID-19 pandemic that first gave him breathing room.

“Normally during life, the water is so turbulent that you can’t see your reflection; during the coronavirus, the water was still, so we had a chance to think about a lot of things,” Bennett recalls. “During those reflections, you can’t hide. You have to really look at yourself and see it in its purest form. I have had the opportunity to realize that my family is beautiful. You’ve reached the greatest heights, and it’s time to try something different.

His brother, Martellus, is also a designer, retired NFL player, and similarly, a renaissance man. Martellus has written four children’s books, one of which was turned into a Disney animated film, and described how he always knew his brother was destined to pursue his passion after retiring from the NFL, “I don’t think he always knew this — where he was going to go next — but I think he has that relationship with the game to understand that and know that it’s going to go away.

Martellus described how his brother and his piece of design, generalC an offer Mirror each other, he says “fast company”The piece itself is powerful, but it’s strongest when people are around it, and the reason I think that’s important is because I feel like Michael is like me in the same way.

He added: “I think Michael alone is strong, but Michael with his family and the people around him is at his strongest.”

Related content: CB2 is on a mission to uplift Black artists with their newly launched “Black In Design Collective.”

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